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驚奇隊長

《復仇者聯盟:無限之戰》中,當薩諾斯彈指的灰飛煙滅後,神盾局局長呼叫器中出現的標誌正是驚奇隊長-卡蘿丹佛斯的徽章標誌,而這次的故事將帶我們認識這位漫威最強女英雄。

 

故事的背景在1990年代,講述當時地球陷入兩個外星世界的宇宙之戰,女飛官卡蘿丹佛斯如何成為漫威宇宙最強的女英雄- 驚奇隊長。這也是漫威電影宇宙中,首部女英雄的獨立電影。

 

統計時間 : 2019-03-23~2019-03-24
我們

故事描述一位女子雅德蕾德威爾森和她的先生蓋比 (《黑豹》溫斯頓杜克 飾) ,帶著兩個孩子(莎哈蒂萊特喬瑟夫、伊凡艾利克斯 飾)一起回到她小時候住的海濱房子,打算度過一個恬靜的夏天。但一段過去難以啟口的傷痛卻如鬼魅般出現在眼前,接二連三的怪異巧合也相繼發生,對於家人即將遭遇不幸事件的強烈預感,讓雅德蕾德恐懼到達臨界點。當他們和朋友泰勒斯一家(艾美獎得主伊莉莎白摩斯、提姆海德克爾、卡莉薛頓、娜亞薛頓 飾) 共度一個令人緊繃的海邊聚會後,雅德蕾德和先生及孩子們回到度假小屋休息,卻在進入黑夜的房子前,看見令人毛骨悚然的四個人影,正手牽手站立在他們的車道上…

 

【關於電影】

 

繼導演處女作《逃出絕命鎮》令當代影壇驚為天人、並為反諷社會議題類型的驚悚片樹立新標竿後,奧斯卡金像獎得主喬登皮爾即將帶來自編自導的全新原創驚悚作品。《我們》以北加州海岸為拍攝背景,由猴掌製作公司(Monkeypaw Productions)製作,女主角由奧斯卡最佳女配角得主露琵塔尼詠歐所飾演。

 

《我們》描述了一個和樂的美國家庭在一夜之間必須挺身對抗一群難以解釋敵人 : 他們自己的分身 !《我們》由編劇和導演喬登皮爾的猴掌製作公司、西恩麥基崔克以及傑森布倫、猴掌製作公司的伊恩庫柏共同製作。

統計時間 : 2019-03-22~2019-03-24
老大人

★ 今年春天,最值得陪父母進戲院的催淚電影!

★ 金獎製作陣容,攜手打造年度最揪心的親情電影!

★ 第55屆金馬獎最佳女配角提名!黃嘉千從影以來最動人演出!

 

老伴離世的八旬老翁金茂(小戽斗 飾),獨自一人住在平溪郊區的老厝裡。儘管身體大不如前,台北仍是一個他永遠都融入不了的地方。某日金茂又因胃痛住院,女兒玉珍(黃嘉千 飾)再度為了養老院的話題和兒子益正(喜翔 飾)爭吵不休。然而,一場意外讓金茂輾轉住進了安養院,即使孫子凱凱(曹晏豪 飾)捎來結婚喜訊,也絲毫沒有消弭金茂的低落情緒。這天,女兒玉珍推著輪椅帶金茂上街,想讓他為孫子的婚禮訂做新西裝。殊不知,對金茂而言,西裝早已有著完全不同的意涵…。

統計時間 : 2019-03-27
電影原聲帶

Cars3閃電再起

★收錄葛萊美獎多項肯定The Black Keys藍調搖滾樂團主唱Dan Auerbach、鄉村搖滾天王Brad Paisley等音樂巨星為電影量身訂作歌曲 ★吉他小清新James Bay、新生代靈魂女歌手Andra Day、爵士巨匠Lea DeLaria翻作多首跨世代經典歌曲、賦予全新面貌   電影界的傳奇動畫名廠皮克斯,以1995年的《玩具總動員》系列打動全球數億人的心,並且在之後接連以《蟲蟲危機》、《怪獸電力公司》、《海底總動員》、《料理鼠王》、《天外奇蹟》等知名動畫電影,成功開拓出自己的王國。在2006年,皮克斯開發了全新系列動畫《Cars》,締造出完全車子為主角的劃時代電影作品,而2011年推出的續作《Cars 2:世界大賽》,在全球總計賣出超過170億的驚人票房,再次成功地將皮克斯推往高峰;睽違了6年,皮克斯原班人馬回歸,帶來了《Cars 3:閃電再起》。在《Cars 3:閃電再起》中,已成為世界知名超級巨星的主角閃電麥坤(Lighting McQueen),遇上了具有全新升級配備、超跑賽車等級的無敵新秀「暴風傑克森(Jackson Storm)」,為了不讓傑克森搶走風頭,焦急無比的麥坤挺而走險,沒想到竟在賽車場上發生了重大的車禍,而被迫退出比賽。喪失了一切資源的麥坤必須要從頭來過,慢慢地讓歸零的自己重新容光煥發;但一切充滿了重重阻礙,閃電麥坤是否能再次回到賽車場上馳騁?又是否能打敗全新勁敵傑克森呢?   《關於音樂》 《Cars 3:閃電再起》的電影原聲帶總共有8首歌曲,由The Black Keys的Dan Auerbach、鄉村搖滾天王Brad Paisley、英國吉他小清新James Bay、藍調搖滾中生代女力ZZ Ward等人,共同為電影量身訂作譜寫全新作品,與重新翻作許多經典歌曲賦予全新面貌。   The Black Keys的主唱Dan Auerbach在與製片會面後所為電影訂做譜寫的"Run That Race",一首傳遞決不放棄、堅定信念的正能量歌曲,充滿著十足的爆發力,替閃電麥坤的開場營造了最佳的氣勢,也鋪陳了電影所具備了速度感張力;已經為《Cars》、《Cars 2》獻出4首作品的鄉村樂界的天王人物Brad Paisley,這次依舊獻出"Truckaroo"與"Thunder Hollow Breakdown"兩首演奏曲穿插在破壞車賽的橋段中,不僅展現了他高超的音樂功力,更替電影增添了豐富的色彩;備受迪士尼推崇的創作女歌手ZZ Ward與葛萊美鄉村藍調歌手Gary Clark Jr.合唱片尾曲"Ride";除此之外亦收錄多首驚喜翻作:Stevie Wonder提拔葛萊美獎提名新生代靈魂女歌手Andra Day不僅在電影中配音Sweet Tea一角之外,也貢獻一首她翻唱工人皇帝Bruce Springsteen 1984年名曲"Glory Days"的全新版本;吉他小清新James Bay翻唱美國草根天王樂團Tom Petty and The Heartbreakers 1991年的"Kings Highway",以些許Indie Rock的風格點綴,凸顯了眾賽車於狂奔時的最佳氛圍;另也收錄迪士尼墨西哥新秀Jorge Blanco將The Beatles的"Drive My Car"、爵士巨匠Lea DeLaria將靈魂樂之后Aretha Franklin的"Freeway of Love"的重新演繹版本,首首皆為電影留下了最完美的註腳,更讓其中的氣氛因旋律的渲染而達到完美之境。

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Yahoo Movies Review: Photograph

Yahoo India Movies 2019年03月15日

Cast: Nawazuddin Siddiqui, Sanya Malhotra, Farrukh Jaffar

Direction: Ritesh Batra

Rating: **

I loved Ritesh Batra’s ‘The Lunchbox’ – the need for companionship, the unusual romance between two people who hadn’t even met and Mumbai, the maximum city, in whose nooks and crannies flowered the myriad relationships that give the city its distinct flavor.

Somehow, ‘Photograph’, Batra’s latest, doesn’t quite work for me the way his earlier venture did.

Rafi, played by Nawazuddin Siddiqui, is a timid photographer struggling to make ends meet in Mumbai. His grandmother, played brilliantly by Farrukh Jaffar, insists that it’s about time her grandson got married. Rafi lives in a shared accommodation with four others and realizes that it’s best to pretend that he’s already engaged to assuage his grandmom. It’s only when she decides to actually come down to meet his would-be bride that Rafi is in a real fix.

Miloni (Sanya Malhotra) has topped her CA foundation exams and is busy preparing for the finals when she bumps into Rafi at the Gateway of India. They build a unique relationship and he convinces her to be his fake fiancée just to placate his grandmother.

Rafi and Miloni are poles apart – economically, socially, by religion – and have little in common. It would be okay for people like these to be drawn to each other if there was a way to understand the connection between them. The fact that their friendship is a result of Miloni agreeing to be the ‘pretend girlfriend’, and not the other way round, just seems unusual and unconvincing.

While Rafi’s attraction is still somewhat comprehensible, Miloni’s feeling are simply not. I found it impossible to wrap my head around what her real feelings are! Is she actually attracted to Rafi? Is it just an escape from the mundane? Is she just enjoying the playacting (there is a passing mention of how she was very talented in the school dramas)?

All said and done, I just didn’t get the drift of her character.

It’s Rafi’s dadijaan, her wit and her feisty spirit, who makes the film so watchable. Her interactions with both Rafi and Saloni are endearing. We watch closely her wrinkled face and furrowed brows as she sees through the many lies of the ‘couple’. It’s interesting to observe how liberated she is and how she chastises Rafi for wearing his burdens like a medal.

‘Photograph’, though, feels a tad tedious and long. Nawazuddin looks distinctly uncomfortable trying to pull off the unusual lover. Sanya seems unsure about how to pitch her part. I couldn’t even figure out what the deal was between the protagonists – a strange kind of love or just a rare bond between strangers?

Irrfan and Nimrat’s uncommon connection tugged at our heartstrings in ‘The Lunchbox’, but here I felt conflicted by what Nawaz and Sanya shared. ‘Photograph’ just doesn’t have the sincerity and conviction of Batra’s last film.

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